If you don’t need a fast lens such as f1.4-f2 the Leica Macro-Elmar 90mm f4 lens is a real winner. Leica 90mm f/4 Macro-Elmar-M (11670) / Lensa Leica 90mm f4 Macro Garansi Resmi 2 Tahun Leica International Leica M Mount Aperture Range: f/4 to f/22.Film stock review: Cinestill BWXX - EMULSIVE Close Search for:To conclude, the Leica Macro-Elmar-M 90mm f/4 is small, lightweight, close focusing (even without the Leica Macro adapter)(I don’t have) and super sharp wide open. SKU: 4575754 6,795 Online Exclusive - To see in store, please call 30 or email to set up an appointment. Used Leica APO-Vario-Elmarit-SL 90-280mm f/2.8-4 with B+W Filter Leica Warranty Until December 2022. Home > Products > Used Leica APO-Vario-Elmarit-SL 90-280mm f/2.8-4 with B+W Filter.
Hopefully, someone gets something out of what I should have simply published in 2019 and moved on from.The Macro-Elmar-M 90mm f/4 can be used as a compact 90 mm telephoto lens or, in combination with the LEICA Macro-Adapter-M, for macro shots up to a.Leica M2 with 90mm F/4.0 Collapsable Elmar. I checked back in on this draft but really didn’t connect with anything I’d written, but I didn’t want it to go to waste. I wrote a disparaging follow up to a piece I’d written about Kodak Tri-X which touches on this idea — I don’t know what more there can be to add. The reason for this is that while I enjoy writing, I don’t often think that my “reviews” are especially the most I have to offer.
Leica Elmar 90 4 Skin Tones Especially
It isn’t a soft film by any measure, and I think it rendered skin tones especially nicely. I’m normally the first to tell people that the differences in different black and white films are very subjective and that the best thing for them to do is just get a brick of Kentmere 400 and get shooting – but the more time you spend looking at different films the more alluring different aspects become. I think the excellent contrast means that grain is less evident than the more recent iteration of this film line most people are used to, Kodak Tri-X. My meter was set to 200, and every image here was made on the 90mm APO lens – my favourite lens for any kind of photography!I was very happy with the results – almost annoyingly so, as it means I’ll likely end up buying more. Pride has always been an interesting event to shoot, although very difficult to get something truly unique (somewhat paradoxically, as for most street shooters you’ll never find such a collection of unique people and occurrences).As I mentioned on my personal blog it’s been difficult for me to shoot Pride as I’m specifically attempting to “beat” the best image I ever made there back in 2017.I managed to shoot through the entire roll of BwXX over the course of the day, which is pretty rare for me as I am a frugal shooter.
I especially liked the way that smoke from the protestors came out, and the overall atmosphere of those images is something I’d really like to harness. Luckily for it it actually salvages the composition of that image, and will be something to keep in mind when loading future rolls.I think for me this film could fit nicely into some of the faster-paced reportage projects I’m looking at taking on board. I am used to this from Cinestill films, and quite enjoy the effect, but I wasn’t expecting it from a black and white film (for some reason). (Bas, if you’re reading this: get a brick of Kentmere 400 and get shooting!)My first few frames had some light leak, as seen in the cover image of this article. He was visiting from the Netherlands, and it was really great shooting with him during Pride, and on the other days I was able to join him during his visit. There’s a clarity, and severity in the difference between deep black and pure white.I shot this portrait of fellow photographer Bas Hordijk late in the day during some downtime, and just loved the stark contrast between the shadow then immediate highlights in his hair.
I hope one day you will show your images with JCH StreetPan which gives high contrasts and sharp definition with great rendering.You are a M6 user, you use 90mm, and you wear glasses, isn’t it ?Do you use some diopter in viewfinder or do you only focus with your glasses ? Because for me the 90mm framelines in the M6 are not convenient, reason why I prefer the M3 to the M6, and despite is less performant on corner, I use the tele-elmarit 90mm/f2.8 long, which has great sharpness in the center at 2.8, and with M3 I have a not heavy combo, at 5. I’d definitely encourage anyone looking for biting, classic feeling results.Thanks for taking the time to read my thoughts on Cinestill BwXX, If you liked my work here then please check out my recent digest with work from the US! I buy all of my film from Analogue Wonderland.Hiiii Simon, Thank you for sharing your great work.I really love your images because they give human touch on this kind of topic by focusing on people, you give sensitive history.The choice of a 90mm is very well made especially the Apo 😉 the best90 mm is a winner to focus on particular times, particular scenes,The film is very good. I do think that the darker tones expressed themselves fantastically from the lighter – really excellent compared to my muddy overcast results from Tri-X.BwXX really is a fine film, and I’ve shot quite a few rolls of it since, with consistent results. These are all features of the film, and I’m excited to see how I can manipulate those features through pushing, pulling, and exposing differently.These images so far were shot in overcast conditions, so I didn’t have much diversity to play within the light, in terms of over/underexposure.
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